영어1 천재 조수경 6과 본문 빈칸

Have you ever zoomed in on a photo on your computer ____?

If not, ____ a look at the image below.

When we look at the entire flower, it appears to ____ a gradual change in shade.

Now, zoom in on the edge of the ____.

____ can see that it consists of many square dots with distinct colors and tones.

____ tiny square dot is called a pixel.

Each pixel emits one of the ____ primary colors of light: red, green, or blue.

Nonetheless, when viewing digital images, we can perceive secondary ____, such as yellow, cyan, and magenta, as well.

These secondary colors are produced by ____ primary colors next to each other.

When equal amounts of red ____ and green pixels are put together, people perceive them as yellow.

Likewise, people perceive the combination of blue and green pixels as cyan, and the ____ of red and blue pixels as magenta.

Take the yellow bell pepper on the screen as an ____.

We perceive the bell pepper as yellow, but if you look at it closely, ____ are a lot of red and green pixels next to each other.

The ____ of using dots to produce another color is not new.

Long before digital images were ____, French artists Georges Seurat and Paul Signac used a similar technique to paint their artworks in the 1880s.

They were influenced by the ____ theory a French scientist had developed at the time.

They ____ not use traditional brushstrokes to put paint on the canvas.

Instead, they used tiny dots of ____ colors to create an image.

This ____ is called Pointillism.

The idea behind it is that when numerous dots of separate colors are placed next to each other, and then ____ from a distance, they blend in the viewer’s eyes.

Let’s look at two examples of ____ style paintings.

This work named A Sunday Afternoon on the Island of La Grande Jatte was created by Georges Seurat, the pioneer of ____.

It portrays people looking at the ____, reading books, or sitting on the grass.

We can ____ some animals including a dog and a monkey as well.

The grass on which the shade falls is painted ____.

However, ____ areas without shadow are painted bright.

This sharp contrast is pretty ____.

This work is a representative work of ____.

It is mostly painted with dots ____ of dashes or lines.

If you look ____, you will notice that there are no object boundary lines.

It also has ____ distinct colors of dots to represent a single color, which adds more vibrancy to the painting.

____ a look at a part of the monkey from the original picture.

Its body is made up of a variety of different colored ____.

However, when viewed ____ a distance, the dots of various colors optically merge to produce brown.

In the process of creating this work, Seurat kept studying ____ composition, analyzing it, and revising this work.

It took him two years to produce this huge piece because he arranged every single dot with ____ and intention.

Since he created art using color theory, Seurat is ____ as a scientific artist.

He himself also said, “Some say they ____ poetry in my paintings; I see only science.”

Now, let’s look at another Pointillist painting, Women at the Well, painted in 1892 by Paul Signac, a ____ of Seurat.

In this work, two ____ are drawing water from a well with a container.

Behind the ____ are a lighthouse and boats in the ocean.

This artwork portrays a hot sunny day in southern France ____ the contrast of yellow sand and blue ocean.

Upon closer inspection, all the objects in the picture are composed of ____ dots.

It is ____ noting that Signac did not simply paint the grass green by combining yellow and blue.

Rather, he placed separate ____ of yellow, blue, and green next to each other.

____ then perceive the combination of these colors as green.

Signac changed the proportions of these colors to create the various ____ of green.

The era of Pointillism came to an ____ after the first half of the twentieth century.

However, this new and scientific method of painting had a great influence on later art ____.

____ artists have adopted the basic concept of dots and applied it to their works in a variety of shapes and forms.